Goodbye Countryside, Hello Big Cider Apple

Well, I've finally gone and done it. Moved. To the. City. Bristol City, cider capital of the West country. Not at all surprisingly, I feel right at home already.

For a start, I can see patches of green and many trees from outside all of the windows in my flat. The traffic noise is a bit of a give-away, but aside from that - I don't feel as much 'out-of-water' as I thought I might. (There was a loud dog-fight in a court yard close by on my first night... the owners seemed to be at war along with the dogs, but aside from the menacing bickering I felt safe peeping from a safe distance four flights up and hidden behind a tree.)

On the fourth floor, to the north I can see the city, the masts of the SS Great Britain, a bit of the river and some green space. From the South facing windows I look out onto a reasonably busy one-way system and above that, the splendor or Clifton. I hope soon to excel upwards and migrate to this place of designer charity shops, delis and running clubs. One day, Clifton - you will be mine.... If I can ever find a good job.

In my rush to leave the countryside in pursuit of something a tad more cosmopolitan, I didn't think it necessary to secure a job. I thought get there first and the rest will follow. Not so simple in times of recession. Also, I neglected to take into account the ratio of over-qualified post-grads to meager media jobs. I sent a CV and cover letter for a writer's position on a magazine, thinking next step, at the very least, I may be invited to interview. Oh no. Nothing is ever that easy. Due to the "volume and high standard of applications... we've set a brief for you to prove you're really interested in the job" The director wanted applicants to provide a 30 second piece-to-camera video (cut, and edited by applicant) and to send it back in a week. What? So I have to invest my time and money producing a film so you can see my face on camera... before I get an interview?! No, I don't care about the job that much. Maybe the wrong attitude, but before an interview? If I had gone to them for an interview - if it went well and I liked the staff... well maybe then I'd be prepared to make a video. Bloody hell, I'm a bit scared. What if there's that much competition for every job I go for?

So, unemployed with new city bills to pay and a new lifestyle to up-keep, I was in a bit of a panic... and also suffering a mighty bout of self-confidence bashing. Not only have I been out-of-the-loop (larking around in the French Alps) for effectively nearly two years, I can't seem to muster up the enthusiasm for following a story like I did when I first entered the world of words. I'm perfectly happy to blog (even though my followers can be counted on one hand) - hello? Is anyone out there? But, when it comes to even thinking about pitching a feature idea I can't energize my mind into motivation. I blame it on the crap rates for freelancers. I blame it on the competition. But what is it really? Well, as much as I hate to admit it: it's a money thing. Right now, I need stability. Writing features, or even pitching features can take days away from me, writing the bloody things takes me at least a week. So why should I spend a week and a half on an article for less than £200? I'm just not going to do it... unless rates increase and journalists get proper recognition for their art. Never going to happen. Not in the 'digital world'.

So, I am rather ashamed and ever so embarrassed to admit that I am temporarily (ONLY temporarily) working in a call centre. But it's not as bad as you're thinking. This is a call centre for charity fundraising campaigns. So, basically I'm a street-botherer... but on the phones. There... I've said it. Well, when you're in severe financial meltdown (blame it on living in the snow), and you've signed up with all the agencies in the city, and you've handed your CV out to all and sundry... you have to take the job. Immediate start... paid weekly... commission for sign-ups... weekends free. There are perks!

I was so reluctant to go for the interview, but my doubts were lessened when I spent time in the office. Turns out this office is full of people like me: creatives struggling to get creative in their chosen industry... having to supplement their living by calling people to talk about sponsoring children half-way across the globe. Funny old world. I like to think it's going to be character building. I'm prepared to do most things if I'm in good company. I think this motley crew of artists, musicians, filmmakers and odd-bods from business redundancies are going to be amusing. They will also doubtlessly provide me with some gold dust for scriptwriting. I can't wait to witness the micro politics. The relationship patterns, oh the conflict... gossip, it's all going to come out.

I'm supposed to be contracted to 13 weeks here, but I don't know if I'll be able to last it out on the phones. I know how annoying it is to be called at home by a cold-caller... I know a lot of people only have the attention span of two seconds... can I handle the rejection? The put-downs? The ignorance? We'll see.

I will of course, be on the look out for more appropriate jobs in the meantime. But it looks like I may have to be prepared to take a few steps down the ladder in order to gain my place on the Bristol scene. This will also be a confidence demolisher, but I'm of strong stock. I can take it.

Second day of training tomorrow. World Vision: I am your minion (for now).