Monday, 2 June 2008

Props and Giggles

Here's the finished reception desk, complete with side flaps for Gordon to hide behind... took three coats... and was still sticky during filming - oops.... I'm always a bit on the generous side when painting...


Unfortunately, Alex pipped at the post for a cracking "vacancies" tag on EBay, and with pre-production time running out, I decided to build on my prop collection... The sign is actually red nail varnish painted over the same gold ones as in guest house sign, but I didn't have a big 's' left, so I had to use another letter's outline as a stencil!

Sunday, 25 May 2008

Mr. Pernick's Guest House Comes Alive

Eight packs of assorted letters, with my maths brain on over-drive to make sure the spacing was right, and I've made something that looks half professional - providing you don't look at it too closely!

One old frame found after scavenging in the attic: right size, right decoration...

Frame washed, brushed and painted...

The molding painted white lacked depth, so Dad gave me a golden crayon that I rubbed over the pattern, which adds a whole new dimension to the frame.

Once I'd taken the sign outside, the glare from the glass disappeared... which I was glad about because it would loose depth if I took the glass out all together. I couldn't find a "G" that was the same size as the rest of the letters, and I think a lower case "g" looks a bit wrong, so I may replace it with a capital one that is smaller...

Here's the reception desk with undercoat, bought some 'bitter chocolate' paint to coat it with next to make it look as naturally wooden as possible. Dad's adding a panel on the front and flaps that he's going to hinge to the sides.

Sunday, 18 May 2008

Dont' worry - this is only a mock up! I need to buy more packs of lettering because they don't seem to put enough of the biggest sized ones in...




This is the mock up sign outside my house, to see if the gold lettering could be picked up well enough on camera. I think it stands out enough... I know the lettering is wonky, but you just wait till you see the real one with its properly measured spacing and all!

Props Away!

Just had quite an exhausting day making props for Pernickety. I've taken it upon myself to make the sign for the guest house and paint the reception desk that my dad has kindly amended for the purpose of the film. I had a brilliant meeting with Alex at the end of last week, and it looks as though we've rectified our location issues fairly painlessly.

To avoid problems finding an exterior that matches our other two locations, we're going to use the rather grand drive way to my Grandma's house, where we are shooting most of the film. We're going to have three of the six shooting days there, which is ace because the house is in a quiet part of Wellington and we'll have a lot of free roam due to my Gran's relaxed attitude to the production. She may even make sandwiches for the crew! We can only hope!

Most of our crew is assembled now, and the Alex is busy making a dolly... I've got a few more bits for Gordon's wardrobe to find, and the sign to finish, but on the whole, I'm feeling pretty happy about how organised we are. I attended a meeting for another short production that is being produced through the web of Engine Room freelancers on Thursday, Josh (DOP) asked me if I'd like a small speaking part in it! Ever-so slightly flabbergasted, I said yes, because I need to do more things that challenge me, and I think it will be beneficial to see the production from an actors point of view.

The scene I'm require for involves me serving two professional actors (Sharon Duce and Peter McGowan) at a supermarket checkout. They're a troubled couple, and Peter's character makes a bit of an idiot out of himself in front of his wife, other customers and me... I'm trying to learn my lines, but I know I'll forget them as soon as I get in front of the camera. But, I guess that's the beauty of film, you can do loads of takes and still get it wrong... and then they can re-cut it in the edit! Magic!

I'm so glad to be having so much creative control over Pernickety, it's great to see it though with such a lovely bunch of people who are all doing this in the name of art. It's crazy to think that the only money I've put towards this project has gone on secondhand props and actors expenses! I think I've spent a total of £90 so far... I think I read in Empire earlier that most of the up-coming blockbusters are being made for upwards of $35 million, which is just absolutely ludicrous...

I'll post some pics of the work I've done today on the props... rather proud really. I know the sign will only get approximately four seconds of screen time, but it's got to look spot on, or otherwise some wise-ass will no-doubt laugh about it... and that would be heartbreaking!

Sunday, 4 May 2008

Prop Hunting

So, the race is on to collect all of Gordon's collectibles before the shoot, which is in approximately eight days time! Lilli and I got most of his wardrobe from charity shops in Bridgwater -oh what a beautiful collection of ties you have now, Gordon... all (about four costume changes) for less than £30. We are on a non-existent budget, so I'm all for a bit of recycling.

Today, I went to a car booty just outside of Taunton - not a complete waste of time, but it wasn't quite as rewarding as I'd hoped. We found a number of figurines, but no matching tea sets or interestingly naff condiment dispensers. It is a bank holiday weekend though, so we're off again a bit further afield tomorrow for the rest of the prop list... lets hope there's some buried treasure. And at least these treasures come at 50p or £1 max, so it's not such a drag to keep hold of such tat - sorry Gordon, I love you really!


Below is Ermintrude, and she figures in one of the most important scenes. She is intact here, but a young couple later break her head off in the heat of a passionate, and slightly violent embrace.

Below is headless Ermintrude, a lot of comedy comes to the fore when Gordon looks for the head which has rolled under the bed, but he has to abandon his mission when he realises the young couple are on their way back up to the room...


We may use this set of figurines (below) for the final scene, when Gordon fight over them, but I think we will need copies of these if we want to do the scene in more than one take... oops, didn't think about that!


Location Scouting

This last week or so has been fairly busy on the Pernickety front. Alex and I scouted the entire width and breadth of Bridgwater, but to no avail. Either the owners just weren't happy to accommodate our plans, or the places were either too grand or too shabby. We had fun just taking a peek into peoples lives though, the shabbiest abode (a very run-down B & B) had such character, but it was not up to Gordon's level of cleanliness or sense of style. Would be perfect for something else... and the landlady was amazing - shy and bemused at first, but when she realised we were OK, she had some stories to tell and was obviously interested in our project.

Next, we looked at my Grandma's house in Wellington, which is excellent for knick knacks and guest-house-type charm... but it's a Victorian bungalow, so right era, but might get us into a few difficulties. I think we're going to use the living room though, as she lives on a very quiet road, and we don't need to worry about treading on any one's toes.




The third location is my old haunt, the Walnut tree Hotel in North Petherton. This is were I got my first ever job, and stayed their on and off for about five years - for the pure convenience of it being three mins away from home in a car! So that makes it perfect for us, as we can meet, have brekkie, do costumes and make up at home, then whizz up to the Walnut. The down side is we're going to have to pay for the rooms we use there. Alex and I are going to try and barter with the head receptionist on Tuesday, to see if we can get a reduced rate, as we're not going to actually sleep there, or having brekkie... we shall see. The two oldest bedrooms there, (1 & 3) are perfectly decorated for the film, with all the mod-cons that we would otherwise have had to source ourselves.



Alex thinks that he's found the perfect hall way - but it's in Bristol. However, we can use it for free and it's got so much space for camera equipment and such, so brownie points to Alex!




So there is just the fine bit of juggling to do with arranging a shooting schedule, booking in extra crew and making sure we have access to all the kit we need. I'm off to another car boot sale tomorrow to get the last of the props, and then into Taunton during the week for last of costumes and a few more props. Deb, co-producer is off at the moment to deal with a family crisis, so it's me and Alex on the production front, with a lot of help from Lilli on the wardrobe side. Nick and Kellie are raring to go, and I think my friend and comedy writer, Lesley Evans is going to stand in as half of the 'young couple', and her comedy writing partner may be playing her other half...

The website is coming along well, Kerry has designed the wall paper and homepage, but we need production stills to compliment the site before it goes live... can't wait!

The gist of Pernickety

I've just realised that I haven't written anything about the story of Pernickety or the reasons behind it... so here's a few details:

Tag Line: ‘A comedy drama about love and conflict set in an extraordinary B & B’

Log Line: Perfectionism knows no boundaries.

Synopsis: Gordon Pernick is a lonely B & B owner with a passion for perfectionism to the point of scaring away most of his customs. When a female customer asks to stay another week, it looks like love is in the air. But as Penelope challenges his steadfast ways in her own quest for perfection, their differences in taste bring them into a sexually-charged stand off.

The truth behind Pernickety:

B & B’s are strange places. Their owners strive to make their homes our homes, but they never feel even the slightest bit homely. Last year I attended a screenwriters festival in Cheltenham, where I had the (mis?)fortune of staying in a B & B. This B & B’s owner is the inspiration for Gordon Pernick, and I remember jotting an idea for this film on the second day of my visit – he was that kind of man. I only stayed there for two nights, but I was sure someone had come into my room and rearranged things, changed the bed etc, all of which felt a bit like an invasion of my privacy, considering my short stay. So I thought it would be interesting to write a story about a man obsessed with perfectionism… to the point at which he looses the potential love of his life because he can’t control his pernicketiness…

And some back story (which I think might work well as a book one day...):

Gordon Pernick was brought up in an unhappy household. He was brought up in an extremely messy household. Messy people are thought not to have much self-respect, otherwise they would be tidy people – but Gordon didn’t know any better and what you don’t know can’t kill you. Gordon didn’t care about his dirty house or his dirty hair until his parents’ bickering got worse and he had to hide in his room to escape their shouting.
So, Gordon started moving things around his bedroom. He rearranged the room every day; never happy with the look he had created. Gordon secretly spent his pocket money on cleaning products and even borrowed the neighbour’s hoover to transform his room, all the while his parents rows got worst, but Gordon was becoming immune to their noise. He was momentarily exacerbated by the cleanliness of his room, but it depressed him to think about how dirty the rest of the house remained.

When the room was completely spotless, Gordon couldn’t keep still – he had to keep moving things, turning his model figures 2° angles at a time, then back again if it didn’t feel right. It was all about feeling, judgement and the correct angle. Gordon was somewhat of a mathematician, the only school subject he excelled at. So it made sense to keep things in line using formulas and simple equations. Gordon began to feel anxious about the state of the rest of the house. He knew that, although his parents were too busy with their bickering to notice his personal efforts, they would probably not approve of it.

So, just imagine how surprised and happy Gordon was when his father moved out. His mother stayed in her room, did not move, not even to wash. Gordon did everything for her, tried to keep her in her room so he could spend all his time tidying the big, old house that was full of junk with nearly a century’s worth of dirt, hair, grime, mouse poo and the rest of it. Half repelled, half elated, Gordon relished his new project with feverish aplomb. He rescued a cornucopia of figurines, antiques, and papers, even jewellery. These bits he polished, buffed, tweaked and tussled until they were ready to be replaced in their new formation on spotless surfaces, and in display cabernets.

Gordon wanted to encourage his mother to come out of her room to view the new world beyond her door, but it wasn’t quite ready…there was something not quite right about something… but that’s just it, it would never be quite right for Gordon. Gordon was so caught up in his obsessive cleanliness that he didn’t notice his mother’s disintegrating health. She was fat, depressed and reclusive. Gordon did everything for her, acted as her slave, growing ever more resentful for her sloth-like existence. He was nearly an adult when she finally died of heart failure. She had grown so big that even if Gordon had wanted to show her his almighty transformation of the house, she wouldn’t have seen it over the rolls on rolls of her neck that prevented her from seeing anything but the ceiling.

His father was so guilty for what had happened, that he gave Gordon complete control of the house and handed the deeds straight over after seeing the monster at the morgue that used to be his wife. Although his father was not completely to blame for this hopeless situation, Gordon had grown so used to living alone that he decided to severe all contact with his father. This left Gordon with approximately no family and no friends. Was he happy? He felt a little lonely to begin with, but that soon past when Gordon realised that he could now start rearranging his mother’s room.

Gordon was finally free. Free to clean, or free to stop cleaning. Free to start a life on his own. But Gordon didn’t know what freedom was, so he didn’t feel like he needed to change anything. At least for the time being anyway.

This now empty room was undoubtedly the best room in the house, and Gordon decided to make it his master bedroom. This took time, about a year to perfect. Nothing new could be afforded, but the shine on the windowsills and a little shampoo in the carpet soon made things sparkle in their own shabbily dignified way. At this point in time, Gordon was twenty-five years old, and he was quickly running out of money. He had to get a job, but what? Cleaning was all he knew, so cleaning he did. He had a series of five offices to clean starting at 6.00am. Cleaning at 6.00am was not a problem, but finishing all five rooms in three hours – that was impossible for Gordon. All the new objects required too much attention for three hours. The complaints started, “We appreciate your attention to detail, but really, just skim over the dirt, as long as the floors are hovered, that’s all that really matters…”

He tried. He sincerely tried, but he just couldn’t do it in three hours. He was sacked once, twice, three times – all with good enough references to allow him to try once more. When one boss suggested ‘counselling’ Gordon freaked out and decided to stop trying. He’d make it on his own terms. He decided to divide the house into three flats and open a B&B, that way he could clean, arrange and make enough money to live on. He makes a sign and arranges some advertising in the local papers.

When the first guests arrive, a young couple having a cheap, dirty weekend together, Gordon is shocked and intrigued by their noises and their out-going behaviour. He can’t sleep that first night on account of the noises, so he sneaks out to get a better idea of what they’re up to. They’re having sex of course, and this is a completely alien concept to Gordon, so even though he’s in his early thirties now, he’s shocked and wants to escape. And what does he do to escape or feel safe? He cleans. It’s god only knows what time in the morning, and he’s fanatically beavering away at the pristine white bath in the bathroom.

The next day, when the couple are out, he uses his extra set of keys to go into their room and he sits on the bed, he stoops down to smell the sheets briefly, he touches the creases in the sheets. He is still for a few moments. Then he snaps out of it and removes all the sheets, and then puts clean ones on. He sit on the bed again, looks around at their stuff. He can’t help but rearrange the girl’s cosmetics and the boy’s collection of socks. He spends most of the day in their room, and then has to make a quick exit when they return abruptly. He hastily takes a hair scrunchy the girl has left on the side, and then he scuttles back to his own room and waits patiently to see if they notice anything.

Another day passes and Gordon gets away without the couple noticing his little breach of privacy – but that’s the only time he does get away with it. Gordon carries on pushing the boundaries of privacy with each and every guest; sometimes he gets a ticking off, other times the guests just leave without paying. Gordon is losing money, but he just can’t stop his compulsion. It is at this fragile moment in his life that a lady by the name of Penelope Boxall comes along, looking for a place of sanctuary.

Penelope grew up in an immaculate household, run by a hedonistic mother masking her failing marriage by keeping an utterly ship-shape home. This mask of deception wears off on her daughter, so that they both act as if they’re striving for glossy interior magazine fodder, when really they’re aching inside. When Penelope is old enough to realise that her life has been sheltered and that her mother is straining under the pressure of deception, she decides to rebel.

She stops doing menial jobs to pass the time to fill the empty space where her father should have been. She tries to help her mother do the same, but to no avail. Penelope fits a lock on her door so her mum can’t get in to clean it. She enjoys the liberty of being able to relax in her own space. The dust and grime begins to gather, she enjoys touching it for the first time, feeling the settle and calmness of something for once. When Penelope turned sixteen she wanted to go away camping with a small group of friends. She locks up her room, says goodbye to her mother for a few days. Whilst Penelope is away, her mother calls in a professional team of cleaners to help her get Penelope’s room back to its former glory. They find a collection of dead spiders in a jar and crumbs everywhere. Mum has a complete fit and completely redecorates the room, puts new carpets in and chucks everything she thinks is rubbish in the bin.

At the same time that Penelope is away, her father also decides to split with his wife, and moves in with his mistress. Penelope’s mother has a breakdown; the house is empty when she returns after camping. She sees her room, and bursts out crying. Penelope feels violated and although she knows she must support her mum through her breakdown, she can’t help but harbour some resentment, but it stays buried. She moves out after her mum has recovered and tries to find somewhere with lots of character. For a while she’s happy and builds a career as a secretary. She tries to go back to being messy again, but her profession prevents her from it. She must have the utmost respect for her appearance and surroundings. So she goes to the other extreme, taking on the mantra that a perfect mental attitude must complement a perfect lifestyle.

She turns into her mother without realising. Turns into a cleaning freak that can’t relax: if she’s not working, she’s tidying. A colleague tells her to take a break, and after a hell of a lot of persuasion, she caves in. An inconspicuous holiday at an inconspicuous, non-assuming B&B - nothing fancy, somewhere she can blend into the background and deal with her inner demons.

Thursday, 24 April 2008

Mr Pernick's First Outing...

So, I've been working on the script, Pernickety, for a few months and things are finally coming together. Gordon is having his first outing, in the studio at the Engine Room. I've managed to persuade my good friend and semi-professional actress, Kellie Rushbury to come up from Cornwall for a screen test with her on-screen beau, Gordon Pernick.

To my amazement and delight, Nicholas Boulton, (star of recent historical drama, Attila the Hun) loved the script and agreed to take part for free. He's also been in Shakespeare in Love, Topsy Turvy, tons of theatre and he's a regular voice on Radio 4. I know him because he's the son of my parents' neighbours... and after interviewing him at Christmas, I decided that he'd be perfect for the part! And there's no harm in asking...



As co-producer, I arranged for the two of them to come for coffee and Danishes at my house, where we talked about the script, and character motivations. The thing I am most worried about is that they won't have that 'spark'. I needn't have worried - they have bucket loads of chemistry going on! It comes out as soon as we reach the studio; they are laughing and flirting together as we set up the kit. Kellie has done a bit of theatre work and comedy sketches before this, and I know she's anxious about performing with a seasoned pro... but she really came alive as soon as they start the first exercise, an extract from Rising Damp.


After a few takes, Alex (Director) moved Kellie and Nick into a different exercise, with new props. It was amazing to see Alex direct, I've never seen a director at work first-hand, and so I'm watching closely for inspiration. A friend, Josh asked me recently why wasn't I going to direct it? I said I didn't feel confident enough yet - I have the vision, I just don't know how to put it into practise yet.


So, we've set up a bedroom situation that will be the guest room that Kellie's character, Penelope will be staying in when she comes to Gordon's B & B. Alex gets them to play out the same routine, but with different motivations. It is hysterical - I realise now, this is going to be much more of a comedy than a drama! Not that I'm bothered by that... the most magical thing about the screen test was seeing my characters coming alive right in front of my eyes - a lucky and unusual privilege for a screenwriter. Alex was sensitive to my presence and asked me to contribute my ideas.


Nick was exactly how I saw Gordon, and when he swept his hair over in a side parting - we all knew he was going to be the perfect perfectionist. Nick was completely at ease with the crew, he's such a down-to-earth actor, sweet, kind and ever so excitable.



After an hour or so of hard work - it's time to go out and play! We get a lift from Nick's dad into Taunton, and hit the cocktails - hard! From about four, we start drinking and don't stop until it's time for a Chinese and taxi home. Kellie and Nick's chemistry is terrific; they bounce the banter off each other in a competition to get the most laughs, and it works! Lets hope this day is the first of many happy times on the set of Pernickety.

Pernik

How strangely ironic and amusing that the name of the lead character (Gordon Pernick) in my film, 'Pernickety' should make himself known on a shoe box in Chamonix. On our second day, (and a week after our screen test), Sarah, (Iris's flatmate) bought a pair of shoes... nothing unusual about that so far. Later in the day, shoes out, box discarded on the floor; Lilli noticed a label on the side that read: Pernik 2777.


Moments like this make me realise that someone must like what I'm doing, maybe the shoe box was a gesture of goodwill - keep going, you're doing well!


The proof!

Here's the proof, in case anyone thought I was lying about my triumphant skiing...





J'Adore Chamonix

In my last entry, I referred to the Alps, and last week I was in the Alps - a nice little ironic twist of fate! One of my oldest friends is coming to the end of her snowboarding season in Chamonix and after a rather devastating break-up with my boyfriend, my sister and I jumped on a bus to see her for a week of snow, ski and sun...

A bus?!!! Yes, a bus. We don't agree with flying, and buses are cheap! I will not pretend that it's the ideal way to travel, but it can be fun and you see so much more, feel closer to the land you're travelling over. You certainly meet some characters as well, including a tour guide who is definitely going to be the inspiration for my next short film script, and a crazy French man who wanted us to go with him to Alaska and frequently swapped from English to French during sentences just to confuse us! He also wanted my email address, but got the message when I told him I'd conveniently lost my pen...

It took just over 24 hours to reach Chamonix, crossing through Paris, Geneva and then back into France. Having never been anywhere snowy, I was immediately impressed by the mountains gravitas. The air so clear, the light so bright. Chamonix is a bit like a bubble of purity; I can see why so many people stay here for a season and then don't leave... you feel safe, healthy and protected by the vast mountains on all sides. Surely nothing goes wrong here? I didn't witness anything untoward, except of course for the after effects of excessive consumption of alcohol... but that doesn't really count.



I felt a sense of achievement at attempting to ski for the first time, all-be-it on a baby slope, progressing to an off piste blue slope by the end of the day. Iris taught me, bossed me around - making me concentrate, push harder and use my feet instead of my head. I was extremely hungover and uncooperative at first, but as soon as I got the gist, and controlled my erratic left leg, things started to make sense. There really is nothing else like being alone near the top of a slope, surveying the terrain you have to conquer, gliding along with the sun on your back with only the sound of the skis to remind you that you're not flying.

So tempted to do a ski season next year, but I will probably get some professional lessons first though, so I don't have to embarrass myself in front of the three-year-old pros on the baby slopes ever again...

Monday, 7 April 2008

Alpine Flurry

What astonishing weather we had yesterday...

Undeterred by the cold, I decided to go for a run in the morning - it was sunny, with a brisk wind. I ambled up the hill towards Kings Cliff Woods, oblivious to the chill as the sweat started to gather around my brow. As I approached the crest of yet another steep hill to the upper car park of the woods, it began to snow. Soft, light and charming flakes descended, the first I'd encountered for the entire winter!

Like I said before, I wasn't cold due to my rising temperature on the slopes, but it felt very strange to be running in bright, bright sunshine, accompanied by unseasonably timed snow. As I descended the biggest hill on the circuit, I looked East towards Glastonbury, and the hill tops were covered in snow! I could have been mistaken for being on the alps for a split second! (Obviously the hills needed a bit of extra height, but I was happy with my momentary illusion.)

Friday, 18 January 2008

A Cloud Over Town Plans

What disappointing news - after the excitement and hope raised at the afore mentioned Madness gig, it was revealed yesterday that Sedgemoor Council have NOT been awarded the Big Lottery grant they applied for to rejuvenate the town hall. And after the controversial story the Bridgwater Mercury ran this week about Julien Temple supposedly brandishing the town as a "Drug Murder, incest den, full of darkness," in a brief given to the band, it is little wonder that morale is low in the town.

The Mercury story:
http://www.bridgwatermercury.co.uk/mostpopular.var.1964448.mostviewed.storm_over_incest_and_drug_murders_claims.php

The story bring to the forefront some sensitive matters, but at least people are getting fired up bout it. There must be at least 50 comments tagged on to the end of the story (see link), of an evenly weighted bias. Some people think the Engine Room should be closed and the "outsiders" should move away. Others praise the work of Temple and the Engine Room. I hope that the context of the brief given to Madness is ironed out for the locals to make their own minds up about it and that the Mercury haven't just printed it out of context to sell a few more papers.

Instead of moaning about the 'bad' features of the town, these final blows should bring locals together to fight the system that is letting us down. There must be other pockets of money to be found and good old fashioned fund raising will undoubtedly bring people closer together for a better, brighter cause. I would be very surprised if ANY town in this country didn't have a few drug-related murders or the odd case of incestuous behaviour, so it shouldn't come as such a shock to hear about in a local rag. But, I guess to make the front page, and because it involves a world-renowned filmmaker, no one was going to let it lie without a few kicks.

Now everyone realizes the town deserves more, I hope something more creative will come out of these soured words.

Saturday, 12 January 2008

Sheer Madness

“This is not a hoax: Madness are in the building,” roars film director Julien Temple to the Ska-hungry crowd. To many sceptics, it could well have looked like an elaborate farce – after all, why would the baggy-trousered granddaddies of British Ska take time out of their UK tour to play (for free!) at a town that is more famous for its teenage pregnancy rate and low-income households than its cultural merits?

It turns out there’s a very good reason: Bridgwater, (like many Costa-ized middle-England market towns) is suffering from a major identity crisis and a number of the town’s organizations are doing their best to get the Town Hall and it’s adjacent offices turned into a vibrant hub of cultural activity. It just so happens that Temple is a local and one of the avid supporters at the helm of this project - and he also happens to be able to draw big names, like Madness to the area. The BBC’s Creative Director, Alan Yentob also put in a brief appearance to draw the winners of the raffle prizes and to make his position as patron to the town hall project known to the town’s folk.

Full to capacity and bursting with hot, buzzy energy, the Bridgwater Palace appeared to be the perfect venue to host such a worthy, grass roots event. Of the three support bands (Shoot The Moon, The Royal Males and Kid Harpoon) that battled it out for the chance to be nurtured by music charity Sturmmerville, Sedgemoor locals Shoot the Moon were victorious. As hosts to this event, Strummerville had a dually significant reason to put on this rare bonanza – it’s five years this winter since the death of self-proclaimed rebel and front man to the Clash, Joe Strummer. As Strummer spent his final years at his home just on the outskirts of Bridgwater, it seemed fitting to have a celebration of his life and work on the same night.

Strummer was a regular at the Bridgwater carnival and played a gig in aid of the opening of the town’s Engine Room media centre just months before he passed away. After an electrifying set consisting of old school Madness numbers, the band paid tribute to Strummer by mustering up a cover of London Calling. Suggs’ vocals didn’t quite do justice to Strummer’s raspy drawl, but it was a touching performance none-the-less. Other highlights included a surprise cameo from Roxy Music’s saxophonist, Andy Mackay, who took command of the stage during a few numbers.

Temple hopes to make this kind of star-spangled evening a regular event in Bridgwater; and with such an enthusiastic crowd of locals, it shouldn’t be difficult to raise the town’s morale and make people aware of the rejuvenation scheme. And if the pubic funding grant the council have applied for gets turned down: the underdog spirit of the town will no doubt triumph in the end, even if it takes longer to set in motion. It’ll be an arduous and drawn out process, but as the Madness gig proves – the town is prepared to fight for their right to party and deter the property developers who will invariably want to claim the town hall island site for themselves.

Baggy Trousers in Bridgwater